I’ve always thought that the Internet is an opportunity to democratize critical thought and theory rather than confine it to higher education.

But more often than not, the discussion that I find on the Internet is more discouraging than inspiring. People talk about issues such as race and sexism, but it’s in such generally in such a shallow, self-righteous way, and I have such trouble finding any serious analysis.

Take Lily Allen’s new video for “Hard Out Here.” Depending on who you talk to, it’s either a feminist anthem, or Lily’s a racist pig who’s using black women as props in her attempt to satirize other pop stars using racist women as props. The responses I see bouncing back and forth are “it’s perpetuating racism” or “it’s satire so the racism doesn’t count!”

In reality, what Lily is doing is much more complex either of these accounts. By showing the elderly white producer instruct the women how to twerk (which is such an absurd image based on what we are conditioned to expect), Lily illustrates that this representation of women’s bodies in popular culture is a conscious manipulation created by people in corporations who know that these images will produce a certain kind of impact. It’s intentional. And it’s systemic. (I broke it down in a lot greater detail here.) On the Internet, I rarely see any real attempts at transforming the system, though, as everyone is too caught up in regurgitating the same old words without any substance behind them.

Cultural appropriation is undeniably an important issue that needs to be discussed—and changed. This is why it’s disappointing to see people take it in such a one-dimensional fashion. I see people dismiss Lily’s video with a holier-than-thou complex and mimicking the words “cultural appropriation” on such a hollow level. “Her satire is perpetuating the same thing she’s attempting to criticize.” Please, take a look at the mechanics of her satire before you parrot a tired, stereotypical argument. Then we can discuss whether or not she is successful in her satire.

Plus, a whole lot of these people who are talking about cultural appropriation seem to share a suspiciously similar rhetoric with the vocabulary of White Savior syndrome.

Racism exists as a finite, economic structure in our society. Stop squabbling over the same, worn arguments and calling each other names, because this ultimately distracts from a system that needs to be changed materially (not through ThoughtCatalog).

The producer character in the music video also directs Lily to wear chains, dance around a sports car, and stuff money into the bras of her dancers, imitating the very displays of male power that Lily claims she won’t be doing at the beginning of her song. Once again, we see mimicry…and this behavior seems downright ridiculous. Rather, Lily finds her power in her voice within the space she creates with her intentional ambiguity–she is not here to tell women how to act, but to take down the rhetoric (and its material infestations) of misogyny.

I wrote about Lily Allen’s music video “Hard Out Here,” which I read as much more complex than simply “she’s making fun of Miley” or “she’s exploiting minorities.”

Lily Allen calls out Robin Thicke’s bullshit in the video for her new single, “Hard Out Here.” Click here to watch.

writing about this right now, including a response to the criticism that lily herself is objectifying women of color. i’m breaking out the legal pad and treating her lyrics as if they’re hamlet’s soliloquies. 

(Source: citymod, via hermionejg)

Lily

Lily

(Source: clawsandfangs, via caulcifer)

lily

lily